Cajon Flamenco neutral (without frontal decorations)

160,00

How Cajon Flamenco but without frontal decorations, with tapa (front) with a natural finish.
Tool with structure in solid Spruce, back and tapa (front) birch plywood.
The Cajon Flamenco said, comes from an evolution of the traditional Spanish Peruvian Cajon mold in order to obtain different timbres and seek different sound than the simple percussion, so that we can better accompany the guitar or other acoustic instruments. Within the structure of the instrument fit snare wires composed ......... following the full description in the description sheet below ↓
Measurements: Height. 49.5 cm (50.5 with feet) x Width. 30 cm x Depth. 31 cm
The structure of the Cajon is dyed with water mordant and finished with al'acqua transparent protection.
The instruments are handcrafted individually and measurements can vary slightly as the shades because of different wood tones from plant to plant and alterations due to photography and the different display monitor.
They are supplied with either the neutral face, or a custom pyrography decorated on demand or customer design
For different features, customization or decoration on design please send an email to info@camillamargheritaferrari.it with the description, I'll reply with an estimate of cost and delivery times.
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SKU: spe093 Category:

Description

Features
Tool with structure in solid Spruce, back and tapa (front) birch plywood.
IThe Cajon Flamenco said, comes from an evolution of the traditional Spanish Peruvian Cajon mold in order to obtain different timbres and seek different sound than the simple percussion, so that we can better accompany the guitar or other acoustic instruments. Within the structure of the instrument by inserting ropes of different section guitar and provision so as to be urged to touch on tapa (the front face) at precise points and produce sought and particular sounds but more discrete and less preponderant of the model Snare (see Snare Cajon).
The structure in solid fir as well as guaranteeing the essential stability and robustness of the case, concurs with its sound qualities to the generation of a clear and clean sound. The birch plywood, used in different thicknesses to the rear and tapa is a good material not too rigid, particularly resonant who delivers a deep bass, soft and a great volume of sound.
The ropes used for the realization of the tailpiece which presses on the tapa are arranged so as to resonate mainly in the solicitation and to touch the top part of the instrument (with tonal differentiation from the central touch to the touch side).
The instinctive approach to the instrument and its virtuosic capabilities make it equally suitable for both the beginner or amateur percussionist that the professional, in addition to being a full alternative to the bulkier battery or percussion not only in street contexts but also more formal.

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